Christopher Ge
Thank you for visiting my online portfolio. Here, you will find a collection of my work—paintings, videos, and installations—all shaped by my personal explorations of identity, displacement, and the transformative power of vulnerability. I invite you to step into the spaces I create, where each piece reflects our shared emotions.

I wrestle with the delicate balance of vulnerability, between permanence and impermanence—memory dissolving, identity shifting. My art is a confrontation with vulnerability, exploring diasporic belonging and the liminal spaces between homes. Whether tracing the fluidity of rivers or examining the fragility of landscapes under rapid change, my work insists on the tension between what we hold onto and what inevitably slips away.


2021-2022:  University of the Arts London - Camberwell Painting Foundation 

2022-2025:  University of the Arts London - Central Saint Martins (BA) Fine Art

2025-2026:  Royal College of Art (MA) Contemporary Art Practice 



Ins: Gerebound999
Contact: Chrisge279@gmail.com




  “The Concrete Monolith”
This project explores the rapid urban transformation in China, catalyzed by the implementation of reform and opening-up policies. These policies have reshaped the nation’s economic, social, and architectural landscapes, resulting in the swift redevelopment of cities like Beijing and eventually extending into smaller, lesser-known areas. Growing up in Jingmen, a five-line city in Hubei, China, before moving to the UK in 2017, I have witnessed firsthand the dramatic shifts in my hometown over the past decade. Each time I return, I find that the city continues to develop, erasing the landscapes and memories I once held dear, leaving me feeling disconnected. Through this project, I will explore critical questions: What have we sacrificed for this rapid development? What cultural memories and personal histories have been erased? While urban prosperity grows, it often comes at the cost of losing ancestral lands and familiar communities—places once regarded as home, now replaced by financial gain and modernization. Using a range of mediums, I will challenge ideologies surrounding ownership, privacy, identity, and the evolving definitions of home in the context of urban transformation and diaspora